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All I was really doing was trying to build a complete Beatles eight-track set, but if you’re looking through a box and there’s Pink Floyd and Led Zeppelin for 50 cents each, you can’t say no.
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Collectors Weekly: Did this inspire you to create the museum?īurnett: Well, I also owned a record store called 14 Records in Dallas at the time. Collectors Weekly: How many total Beatles releases were there?īurnett: Including all the tacky reissues the company put out after the band broke up, about 25 or so. I was very dedicated. I had to go to estate sales, garage sales, thrift stores, and flea markets to find them. Then I got this terrific idea to collect every single Beatles eight-track, and that took five years because this was pre-Internet. By 1988, eight-tracks had been over for several years so it looked very exotic to me. I took it home that day and put it up on my fireplace mantel, and it kept catching my eye for the next two or three days. I asked the guy, “How much for this?” and he said, “Seven dollars.” I said, “For an eight-track?” thinking, “Are you nuts?” And he said, “Give me the seven or put it back in the box.” So I gave him the seven bucks, and that’s how it all started. The Beatles’ “White Album” eight-tracks got Burnett hooked on the format.īurnett: In 1988, I was at a garage sale in Dallas, looking through a box of stuff, and I found the Beatles’ “White Album” on eight-track, which was a two-tape set in this lovely black slip case I’d never seen before, with “The Beatles” written in gold lettering. Among others, each of these stars is a part of Burnett’s unfinished documentary on the 8-track tape, called “Spinal Tape,” which is expected to be completed in 2013.īurnett recently gave Collectors Weekly the down-low on forgotten formats and why the world needs a few museums dedicated to Stereo 8.
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During the ’80s, Burnett befriended such music world notables as the ukelele-playing Tiny Tim, as well as Chris Frantz and Tina Weymouth, the founding members of the Talking Heads who went on to create Tom Tom Club in 1981. The quirky vibe of each Eight Track Museum is perfectly matched by Burnett’s outsized personality (when the Oxford English Dictionary decided to remove the entry for “Cassette Tape” in 2011, Burnett retaliated by banning the dictionary from his museum). “The eight-track was nothing less than revolutionary in the context of its time.”īurnett’s obsession with Stereo 8 tapes began after a chance encounter at a garage sale in the ’80s, and he’s never looked back.
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Located in the Deep Ellum neighborhood of Dallas, Texas, Burnett’s original Eight Track Museum opened in 2011, offering visitors a peek at an often overlooked medium plus an archive of every audio recording format created since the earliest wax cylinders of the late 1800s. In October of this year, the second outpost of Burnett’s homage to the 8-track opened at the Orphic Gallery in Roxbury, New York, expanding the reach of his crusade for lesser known forms of audio recording. “They were visionaries,” he says.īut that hasn’t stopped Burnett from becoming the eight-track’s most vocal champion, amassing an incredible collection of Stereo 8 cartridges, and opening the world’s first museum devoted entirely to the format. Growing up in the 1970s, Bucks Burnett never even owned an eight-track tape: When his parents purchased their first post-LP stereo console, they went straight for a cassette player.